![]() And it’s not a bad one, which when it comes to studio horror films is always a good thing. It was seen by Hollywood people, one of whom being James Wan, and now it’s a feature. Sandberg made a short film in 2013 with a similar villain. Lights Out is a simple horror movie that doesn’t try to do much beyond its studio and genre constraints – and it doesn’t really need to.ĭirector David F. And while it does have a lot of jump startles, their awfulness is mitigated by the idea of the villain, and the film literally showing us all it can – a bunch of darkness – which helps to justifies it, I think. A lean running time of just over 80 minutes keeps it from getting dull. It’s a film that never tries to reinvent the wheel and can get away with it because it has a fun premise and knows how to use its tropes effectively. There isn’t much in Lights Out that you haven’t seen before – except that you know where the evil spirit is and it still “gets” you every now and then. All the while, lights flicker or become the least reliable things ever with great frequency, Diana pops up out of nowhere more times than you can count, and we all have a good time being startled. Rebecca then tries to find out who Diana is – or was – before eventually having a final standoff. Rebecca takes Martin to her apartment, but they’re followed by Diana. ![]() That’s enough of a setup for an 80-minute movie, and Lights Out doesn’t do much to deviate from the “people are haunted by a thing before trying to eventually stop the thing from haunting them” formula. Shocker of all shocks: Diana is very real, and all of these characters are in danger. Sophie’s daughter, Rebecca ( Teresa Palmer), left home years ago due to similar issues – although under the impression that Diana isn’t real. She’s talking to someone named “Diana.” Understandably, this scares Martin, who becomes afraid to go to sleep. Sophie has had a history of mental instability, and her husband’s death has triggered an episode. The film’s opening kill has their father ( Billy Burke) murdered by our villain. The first belongs to Sophie ( Maria Bello) and her son, Martin ( Gabriel Bateman). Lights Out follows one family and two households. ![]() You will never see it fully, and if the lights ever stop functioning – as they frequently do in this movie – you’re done for. It disappears whenever light is shone on it. Lights Out takes this premise to a terrifying conclusion, producing a villain that can only function in the darkness. You come home from a scary movie, and maybe you sleep with the light in the hallway on. ![]() After all, the darkness can hide the thing of which that individual is scared, and light fixes that. One of the first things someone who’s scared will do is turn on the lights. ![]()
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